Eigasuki映画好き · An archive
Return to the catalogue
Plate Nº II

Seven Samurai

七人の侍

Shichinin no Samurai

Fig. ISeven Samurai · Tōhō · 1954
Notes

Kurosawa's mud, his rain, his men running toward the threat instead of from it. Every frame engineered for kinetic clarity, yet the film's longest passages are quiet — Kanbei shaving his head, Katsushirō learning to listen. The image of the village at dawn, half-defended, remains one of cinema's great compositions.